883 results where found for «Mid-Afternoon Love (Amor de media tarde)»


An Old Love Tune (Tonada del viejo amor)

Music piece by:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
[...]
« An Old Love Tune (Tonada del viejo amor) »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Experience in:
« Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
[...]
« a lovely little song that sounded »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
[...]
« a lovely little song that sounded »
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Love Song (Canción de amor)

Music piece by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – December 1973
« Ángel Parra organised and directed the band Los de Chacabuco until his release from prison. Angel only conducted the group, and never sang or played an instrument. The exception was his farewell concert, which was the only time he sang at Chacabuco. »
[...]
« Love Song (Canción de amor) »
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Song of the Seed and the Plant (Canción de la semilla y la planta)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« The history of the seed and the plant, of which this song forms part, was performed as a play to entertain our audience of children during a family visit to the prison. Imagination had no limits when it came to kindling a small flame of hope in our hearts. »
[...]
« Fed by love and tenderness. »
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Love Song for a Disappeared Woman (Canción de amor a una desaparecida)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« Daniela was the political codename of María Cecilia Labrín, a member of the MIR. Agents of the DINA arrested her at her home on Latadía Street in Santiago in August 1974. She has never been seen again. »
[...]
« Love Song for a Disappeared Woman (Canción de amor a una desaparecida) »
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Partisan Anthem (Himno guerrillero)

Music piece by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« In the love of music as a spark of life, in the quest for beauty, for justice, for transcendence, and his love of humanity in all its greatness. »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« Some of us got up on the tables, looking up at the sky – bound by the rectangular shape of the barracks’ roof – as if to reach with our voices the stars, our loved ones, the men held at Tres Álamos, and our comrades, such as Gladys, who were isolated in what was known as the White House. »
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Tacit Song (Canción tácita)

Music piece by:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Experience in:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
[...]
« To get to Chacabuco, we must cross many obstacles alongside so many other women, and I am anxious to embrace my beloved father. Holding my mother's hand and in the company of many other women, we waited under the desert sun and wind that carried stories from the past as we beat our brows to engrave that moment into our memory. »
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